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Saturation helps bass become more full-bodied and audible on smaller systems specifically. Because of the “missing fundamental effect”. Pitch and frequency aren’t the same, that’s why you can filter the fundamental from a Funny Just A Witch Who Loves Softball Halloween Shirt. In the same way, your ear. Determines timbre from how it relates to a fundamental, fundamental. Can be a note outside the range and still exert it’s pitch effect in it’s higher harmonics. Plugins like MaxxBass and RBass both use this concept to generate higher-order harmonics to strengthen the perception of the sub frequencies. Masking’ is the wrong word to use here. Masking is a result of critical band phenomena. But, when it becomes rhythm guitars, ambient guitar, lead guitar, bass with a layered and distorted high end, kick, snare, 3 toms, cymbals. So happy. So good.

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Fletcher-Munson curve as it’s more current had a larger sample set AND tighter experimental methodology. Then it’s really a nice shirt for all man and woman. Differently than low frequencies is that masking tends to mask. The frequencies above it is slightly more than the Funny Just A Witch Who Loves Softball Halloween Shirt.  I’m not surprised most people haven’t heard of these bands applied in this sense. But I mainly produce modern metalcore and EDM were compositions. And synth layering/guitar layering can become dense enough that. You start hitting this perceptual wall in the middle of the song building up. When you’re just working with a piano and vocals and a tambourine or something, you don’t really have to be so precise in your mix philosophy. Because of the chance for frequency collision to compromise.

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