Though great post overall and as an intermediate explanation of dynamics and EQ as it pertains to human perception this is good insight! I’m totally self-taught from piles of books. So there are probably things in DSP and Nice Ashy Slashy Halloween Shirt. That I accidentally skipped over lol I’d never considered this. But it makes sense. I suppose I haven’t fully nailed down. How pitched instruments and pitch movement, in general. Should translate the most optimally across bands as they. Move across the range, although my intuition recently has been to handle the highly variable. Masking profile of pitched instruments versus static/percussive. Instruments with sidechaining a multiband or dynamic EQ so that I don’t have weird situations. Where certain frets kill the snare, certain notes kill the toms, certain no
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Sidechaining is a good solution, and don’t worry we’re opposites in that sense. I know a thing or two about DSP from school but my audio engineering skills are still amateur. Plenty of things like compression. And sidechaining that Nice Ashy Slashy Halloween Shirt. What are the sources of your understanding? You’ve posted multiple entire paragraphs in this thread. And in your original post about this, including referring to tests but offered no outside sources. So in a way, the chart of the 24 bands is a nifty way to know that. If you’re working with instruments in the low mids. They might clash with an instrument 100-200Hz above or below. But if you’re working with highs, you can have a bandwidth of 800-1200 Hz where they clash. Then it’s really a nice shirt for all man and woman. So you should buy this shirt. Thank you so much.